# International aid: progress needs solutions, not problems

- Link: https://fundraising.co.uk/2022/02/03/international-aid-progress-needs-solutions-not-problems/
- Published: 2022-02-03T16:10:00+00:00
- Author: Guest Blogger

**Saul Parker of The Good Side on the existential threat facing the UK aid sector
and making a case for reframing and retelling the stories behind international aid.**

Three years of work came to fruition last week with the launch of [We The Helpers](https://fundraising.co.uk/2022/01/24/uk-international-aid-charities-unite-in-major-awareness-building-campaign/),
a new cultural narrative about overseas aid. It’s something that our team at **The
Good Side**, alongside some brilliant partners, have been developing with the **
Aid Alliance**, a group of major INGOs. It’s been a long journey to get here, but
last year various stars aligned to make it possible for us to create this unified
brand as a new voice for the international development sector.

Early in our work examining longitudinal polling data from the **Development Engagement
Lab** we saw the need for a category level campaign. We realised that we needed 
to kick start a cultural shift in how aid is understood, appreciated and supported
by a large portion of the British public, and we knew that the heart of this shift
would be a new narrative about aid.

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## ⏎ Existential threat

It is no overstatement to say that the UK aid sector is currently facing an existential
threat. We all know about government cuts to the aid budget from 0.7% to 0.5% of
GDP, but these cuts are matched by an [unprecedented decline in public support](https://developmentcompass.org/storage/gb-dashboard-2021-06-15-d1-1624887228.pdf).
The percentage of the general public who reported having donated to an international
aid organisation in the past 12 months [fell from 36% in 2013 to 17% in 2021](https://developmentcompass.org/storage/in-brief-1-donations-102919-1585825324.pdf)–
a fall of over 50% in public funding in less than a decade.

We set out to understand exactly which audiences were moving away from financially
supporting overseas aid, why they were quitting the sector, and what it would take
to bring them back. We did qualitative and quantitative research, media and semiotic
analysis to understand first-hand how the audience thought and felt, and what the
cultural conversations were about aid in the media ecosystem around them.

Our cultural and creative strategy was built on three fundamental principles drawn
from decades of work in brand, communications and campaign strategy: be myopically
audience-focused; unite specialist agencies around a shared brief; reframe and retell
the story.

![Nurse laughing at a clinic. Photo: We the Helpers](https://wfay6x.infiniteuploads.
cloud/2022/02/we-the-helpers-nurse-laughing.png)

Photo: We the Helpers

## Myopic audience focus

One of the greatest challenges that third sector organisations face in communications
is remaining genuinely audience focused. Because we tend to work on issues we deeply
care about, and spend a great deal of time considering, debating, rethinking and
solving, it can be really hard for us to take ourselves away from deep immersion
in those same issues, and to consider them from different perspectives.

Being audience-focused means seeing the world through their eyes, understanding 
their values and what makes them tick.

In our work with the Development Engagement Lab we identified a core segment of 
British people who are disengaging from support of international development, a 
group we labelled _Conscientious Cynics_. They’re often retired, most likely to 
vote Conservative and in favour of Brexit. They live in urban and suburban areas,
but not in the south east, and consider themselves quite removed from notions of
the metropolitan elite.

They are **proud to be British** (85%) and have **confidence in the British Army**(
72%). We also discovered that they care deeply about the world, the climate, and
have a strong moral compass, but they have lost faith in international institutions,
and they have lost their faith in progress.

For the majority of readers working in international development, this group will
sound like a far cry from their typical audience, farther still from their social
milieu, and for those working outside of marketing and fundraising roles, it is 
possibly a group they have never considered as fundamental to the continued success
of the sector.

Yet, when we look beyond charitable giving behaviours and consider their wider social
values and worldview, we discover that this audience is part of a large segment 
of the British population who are more patriotic than progressive, financially secure
and happy in their lot, and make up one third of the British public. They are the
most significant social and political segment in the country, and, as the country
continues to age, their numbers are growing still.

When we talked to charity supporters in this audience about international development,
their issues were clear and commonly held. When they think about aid, they think
about inefficiencies, chuggers on the street, CEOs in the headlines and malnourished
children on the telly with flies in their eyes.

Add to that government cuts, negative media coverage and operational challenges 
in the sector – and it’s no surprise that their support is dwindling.

![Fireman shines torch. Photo: We The Helpers](https://wfay6x.infiniteuploads.cloud/
2022/02/we-the-helpers-fireman-torch-on-copy.png)

Photo: We The Helpers

What was striking for us was that so many previous and current supporters had simply
lost their faith in a sense of progress. Through decades of communications focused
on problem narratives, a tendency in broadcast news to major on bad news stories,
an addiction to social media doom scrolling, and the brain’s tendency to remember
negative experiences over positive ones, the net outcome is that, by and large, 
people think the world is getting worse – when in reality, on many really important
issues – like life expectancy, infant mortality, access to water and basic education,
the world is better than it ever has been, and is getting better all of the time.

Although the Conscientious Cynic audience thinks the world is getting worse, that
doesn’t mean they have lost their capacity to care. Their interest in making things
better hasn’t disappeared. In what feel like increasingly bleak times, **they desperately
want things to be hopeful about**, to experience positive change, and to feel like
they can make a difference through their own actions.

What we learned from this journey into the audience’s psychology, sector perceptions
and social values shaped our campaign strategy. Given the deep rootedness of their
issues with the sector, we knew we needed to engage them about the fundamental role
and importance of aid. Owing to their distance from a typical INGO audience, we 
wanted to start a fresh conversation from a new brand, to steer clear of affecting
the targeting strategies and brand campaigns of others in the sector. Understanding
how divorced they were from feeling any sense of progress, **we knew we needed to
major on finding ways for them to feel a sense of impact**.

## Uniting specialists

The Good Side works collaboratively with specialist agencies who excel at their 
craft, which allows us to focus on keeping the audience and issue front and centre
of any project, and to advance a strategy that doesn’t bias any one solution or 
creative approach. By being people and problem focused, and solution neutral, we
can explore any avenue, and embrace a range of answers.

We were incredibly lucky to collaborate on this project with a set of agency partners
including
**The&Partnership** (film and creative strategy), **HarrimanSteel** (brand
identity and website) and **TheKite Factory (media planning and buying) who either
worked pro bono or for a greatly reducedfee.

All agencies worked from a shared insight and campaign brief crafted by The Good
Side, and we acted as the strategic anchor for client liaison, budget management
and partner coordination.

This was an innovative collaboration for the charity members of the Aid Alliance
and for our group of agencies. We centred a spirit of partnership, open communication,
trust and mutual respect, both through agency relationships and in coordinating 
across the sector, in order to make the project as effective and powerful as it 
could be. We believe system and culture change are only possible through radical
collaboration, and to thrive, such collaboration relies on these communal values
being strongly held and performed by all actors.

## Reframe and retell the story

Our intention from the outset has been to reframe public perceptions of aid and 
tell a different story about international development in popular culture.

Alongside politics and economics, the other core lever to effect fundamental social
change is culture. Cultural narratives lie at the heart of how systemic issues and
social problems are understood by the public, shaping the way that choices are made,
behaviours are normalised, and values are held. Stories and social fictions are 
what bind us together and what tear us apart.

![White Helmets volunteers carry a person down stairs. Photo: We The Helpers](https://
wfay6x.infiniteuploads.cloud/2022/02/we-the-helpers-white-helmets-carry-person-down-
stairs.png)

Photo: We The Helpers

We wanted to cast a new narrative for aid that spoke to the values and aspirations
of our audience and addressed some of the tensions they felt in society and the 
sector. We knew that facts and statistics would not be the silver bullet that changed
their minds. We needed them to feel a sense of progress and hope again.

Over a period of creative development, iteration and more audience conversations
we settled on a central campaign idea from The& Partnership that built on one of
our core narrative objectives –
to reframe aid as hard work, and spoke directly 
to address the ‘optimism gap’ that so many people told us they felt in the world
around them.

**We The Helpers** was designed as a creative vehicle to celebrate everyone and 
anyone around the world who was helping those in need, in whatever way they could.
By framing aid as helping, our intention is to move away from any sense of saviourism,
and instead to position aid as a contribution towards brighter futures.

The ‘We’ of We The Helpers really is all of us, because everybody wants to help,
no contribution is too small, and we all have a part to play. It invites the audience
to look around them for the bright shoots of progress, the kind deeds, and it ultimately
invites the question ‘How can I help?’

The lead campaign asset, a 60 second film compiled largely from footage of real 
aid workers, provided by brilliant archivists from across the sector, shows a journey
from war and natural disaster to sustainable development solutions and puts the 
viewer on the ground in beneficiary communities, and shares a series of snapshots
of a day in the life of the workers. It embraces a myriad of forms of development,
all manner of ways to help.

In the accompanying campaign website, a series of arresting facts and statistics
about global progress on education, poverty alleviation, water and sanitation and
disease prevention serve to provide a more rational set of proof points, to show
how aid really is helping.

**Our hope is that these assets and stats rebuke the idea that ‘nothing ever changes’**
and are shared in social conversations beyond the campaign.

It has been interesting to see the impact of We The Helpers across the international
development community in recent weeks. We were not surprised to find that some members
of the community did not identify with the narrative we created and felt that other
frames were more important for the sector to advance. This campaign set out to connect
to a highly specific audience, one that is philosophically and culturally distant
to most of us working in the sector, but one that is highly significant to the political
and media spheres that shape the status quo. In many respects, if we had created
a campaign that we all identified with, we would not have been doing our job properly.

## WATCH: We The Helpers

Through decades of working with brands, foundations and trusts to deeply understand
audience psychologies and communications approaches, we know that if you try to 
please everyone, you rarely please anyone. It’s not a sustainable or efficient way
to communicate, and it rarely cuts through the noise. We have all read so much about
media echo chambers, culture wars and political polarisation in recent years, and
this is the reality in which we communicate and engage the public today. There will
never be one story or one truth about international development and our national
relationship with the majority world. The discussion around aid is complex, political
and philosophical in nature, and any new narrative around aid is bound to raise 
questions.

We are excited to see what we learn from this experiment in cultural innovation 
and narrative change, and we are brimming with ideas about how to deepen this story.
We welcome any conversation and feedback as we continue to learn and shape the work.

**Saul Parker is founder of [The Good Side](https://thisisthegoodside.com/), an 
ideas, insight and creative studio**.
