# The Secret Life of The Pencil in aid of Children in Crisis: a case study

- Link: https://fundraising.co.uk/2015/07/21/the-secret-life-of-the-pencil-in-aid-of-children-in-crisis-a-case-study/
- Published: 2015-07-21T09:54:21+01:00
- Author: Howard Lake

**The Secret Life of the Pencil exhibition and auction raised £34,000 for Children
in Crisis this year. Joe Spikes and Mike Tinney told UK Fundraising how it worked.**

It all started with a casual conversation one evening around three years ago between
Children in Crisis’s Joe Spikes and a personal friend, Mike Tinney.

Mike, a photographer, had been working on a venture called _The Secret Life of the
Pencil_ with long-time friend and industrial designer Alex Hammond. The project 
aimed to explore the finer details of pencils belonging to some of the world’s top
creative individuals, with the underlying theme of accessibility to creativity.

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By coincidence Children in Crisis, which protects and educates disadvantaged children
in countries affected by conflict, uses a pencil as its logo, believing that by 
placing a pencil in a child’s hand and allowing them their basic right to education,
huge potential can be unleashed. Joe and Mike immediately saw the synergy between
Children in Crisis and the project, which was already looking for a charity to support.

 

![Sir Paul Smith and David Bailey at The Secret Life of the Pencil](https://www.
fundraising.co.uk/wp-content/uploads/2015/07/secret-life-of-pencil-sir-paul-smith-
anish-kapoor.jpg)

Sir Paul Smith and David Bailey at The Secret Life of the Pencil

 

[The Secret Life of the Pencil](https://www.fundraising.co.uk/2015/04/23/designer-pencil-auction-to-raise-funds-for-children-in-crisis/)
is a collection of photographs of pencils belonging to top creative people, documenting
them in remarkable detail and revealing an insight into their users. Contributors
were drawn from contacts of Mike and Alex and of Children in Crisis and include 
a wide range of professional people who have defined themselves and their craft 
with the help of the modest stylus: people such as David Bailey, Stephen Fry, Anish
Kapoor, Tom Dixon, Alexander McCall Smith and importantly Sir Paul Smith – whose
enthusiasm and support led to a special exhibition of the photographs at his flagship
shop in London’s West End.

 

## What income did Children in Crisis receive?

![Secret Life of the Pencil exhibition](https://www.fundraising.co.uk/wp-content/
uploads/2015/07/secret-life-of-pencil-exhibition.jpg)

At the Secret Life of the Pencil exhibition

Children in Crisis negotiated with Mike and Alex regarding the contribution from:

• profits to the charity

• a share from poster sales, sales of limited edition prints

• the sale of around fifteen special auction pieces which included the actual pencil
photographed.

In order to maximise the fundraising potential of the project and extend its reach
beyond the UK to overseas supporters, Children in Crisis used a mix of mechanisms
and embraced the opportunity to go more digital. Hence the combination of a ‘virtual’
auction for the special, one-off auction pieces via the global online platform, 
Paddle8; selling limited edition prints online via the Secret Life of the Pencil
website; and selling posters in-store at Paul Smith’s west London shop.

Posters and prints have also provided a way of extending the fundraising ‘lifetime’
of the project beyond the one-off exhibition, offering ongoing funds for the charity.

## Online auction

![Nick Park's design](https://www.fundraising.co.uk/wp-content/uploads/2015/07/secret-
life-of-pencil-nick-park-design.jpg)

Nick Park’s design

 

The auction was a silent one and ran online for two weeks while the exhibition in
London took place; it culminated in an event held by Children in Crisis for its 
patrons and friends. In all, around £34,000 was generated from the exhibition and
auction and, post-auction, more from sales of prints and posters.

Koy Thomson, chief executive of Children in Crisis, believes that the longevity 
of the project stems not only from fundraising mechanisms like sales of posters 
and prints but also because the Secret Life of the Pencil as a project resonates
so well with the organisation’s messaging and logo.

He said:

> “It means that collaboration can extend into the future. The pencil has simplicity
> and a strong association with education. It’s a simple item used by everyone, 
> everywhere. It’s very powerful.”

He’s hoping and expecting that the project will develop further, with other big 
names being invited to contribute and the exhibition moving further afield both 
in the UK and abroad.

![Anish Kapoor's design](https://www.fundraising.co.uk/wp-content/uploads/2015/07/
secret-life-of-pencil-anish-kapoor-design.jpg)

Anish Kapoor’s design

 

More fundraising opportunities are in discussion, including a book, and because 
the project is self-funding, Mike and Alex will be able to take more photographs
to add to the collection. All the original auction items were sold.

Koy added:

> “The photographs are fantastic pieces of art. When people see them in person, 
> they understand that. For instance, they see that by buying Anish Kapoor’s photograph
> with his – sculpted – pencil, they’re buying an original artwork by him.”

The association with Sir Paul Smith and the Paul Smith brand, according to Joe Spikes,
brought not only a link with a powerful brand, but the great location of its exhibition
space and the additional level of promotion offered by the company. Many of the 
contributors also put their weight behind it. Stephen Fry, for example, tweeted 
to his 10.5 million followers. Ian Callum, Director of Design for Jaguar Cars, pointed
out that his pencil sketched the actual picture of the next generation of Jaguar
cars.

 

![Tom Dixon with his design](https://www.fundraising.co.uk/wp-content/uploads/2015/
07/secret-life-of-pencil-tom-dixonjpg.jpg)

Tom Dixon with his design

 

Collaboration has been the key to success, said Koy Thomson, and Children in Crisis
was very grateful to Alex Hammond and Mike Tinney for the opportunity to work with
_The Secret Life of the Pencil_.

> “The project brings mutual benefit to the creators and the charity, while protecting
> the integrity of the art at its centre. In the long term, to get the most out 
> of the project, we need to approach it collaboratively, too. We want to attract
> more contributors, develop new ideas around it, broaden the audience and give 
> it more international reach.”

The project is currently looking for sponsors to help take the show to new audiences.

Koy concluded:

> “So far the project has been great for cultivation of our supporters. We’re delighted
> with the initial results.”

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